Friday 24 January 2014

STINCS- research


stincs-
catch me if you can
    title sequence analysis
         

  Setting
 For the first image the audience see of the title sequence we are given a retro themed cartoon
 of a man being animated. To be moving fast through an airport, this sets the story to be around if not  the beginning of the film maybe around an airport. The man is wearing a suit which connotes that the film is set in America in the mid 50's/60's. As all the men and women are smartly dressed in comparison to todays dress code of people boarding planes as people now tend to dress in a more 'relaxed' manor.













  Theme
The theme of this film is shown to be a deceptive crime thriller, maybe involving Tom Hanks as the detective as this next screenshot displays the character of an undercover agent observing the character who has taken the identity. Of what seems to be a pilot mixing in with crowd, this creates the audience to think such things as... Who is he? Is he on the run from the law? Why is he being watched?










Iconography
The title sequence uses iconography of a New York city taxi cab being chased by what seems to be the law. It shows to the audience that the their will be suspenseful chases throughout the film and it will contain the main roll to be running from the law.











Narrative
The narrative of this title sequence scene is that the, main character is being chased by a detective (Tom Hanks) and that the main character is an identity thief.











Character 
The main three characters shown are Amy Adams, Tom Hanks and leonardo DiCaprio as shown below.

                                                                                                                                                                 














Style
The style of this title sequence is from the world famous artist know Saul Bass who used iconic solutes too show icons of a detective and a man running from the law. It works really well as  it shows the iconic style to a fantastic level.

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